[Y]oung Writers Project, an independent nonprofit based in Burlington, engages young people to write and use digital media to express themselves with clarity and power, and to gain confidence and skills for school, the workplace and life.
Check out the most recent issue of The Voice, Young Writers Project’s monthly digital magazine. Click here.
Each week, VTDigger features a writing submission – an essay, poem, fiction or nonfiction – accompanied by a photo or illustration from Young Writers Project. YWP publishes about 1,000 students’ work each year here, in newspapers across Vermont, on Vermont Public Radio and in YWP’s monthly digital magazine, The Voice. Since 2006, it has offered young people a place to write, share their photos, art, audio and video, and to explore and connect online at youngwritersproject.org. For more information, please contact Susan Reid at sreid@youngwritersproject.org.
Visual of the week by Isaiah Ritchie, 13, of Jericho/YWP Media Library

This week, Young Writers Project presents two exceptional pieces from our recent writing and visual art contest, “A Celebration of Trees,” created in partnership with Branch Out Burlington! (BOB!), a volunteer organization based in Burlington that has been planting, protecting, and promoting trees in Vermont since 1996. The contest was a big success with 166 submissions of writing, photos, and art. We would like to thank all contestants who participated, as well as BOB! for their sponsorship! 

On the list of most common deathbed regrets, a lack of commitment (or finances) to travel has always hovered at the top. The Golden Birch Award recipient, Sam Aikman of Richmond, reminisces about a trip to Croatia’s Koloĉep Island with affecting poignancy in this winning poem, lingering on one image representative of the island’s soul that deserves true veneration: the fig tree. 

To the fig tree on Koloĉep Island

By Sam Aikman, 17, Richmond
First Place, Golden Birch Award

When I say “fig” 
I do not mean the kind 
you get at the supermarket
in a clear plastic tub. 
I do not mean the kind
that is shriveled, and brown, 
and crackles when cleaved open
by a child with dirty nails. 
When I say “fig”
I mean the kind that dangles,
purple and glowing, 
from a thicket of foliage 
above a cobbled street.
Have you ever stood 
at the edge of the Adriatic 
under the shade of a tree 
as old as a country 
and eaten the pith of a fruit 
the color of the sky at dusk?
What is this sudden urge we call longing?
When, in the late afternoon 
of a Saturday in January, 
as you loiter under 
the fluorescent lights 
in aisle six, you demand to 
have the heart 
of a past summer on your tongue. 
You buy a box despite them being 
old and dry,
and stand with your fingers 
in your mouth 
at a bus stop on the corner of Dorset,
halfway around the world 
from the tree
that has not likely been long 
lost to sun.
When you consider the heat,
and the distance, and all the time 
it takes to deliver life (first to your 
palm and then to your lips),
really, what is the point
of waiting a moment longer 
before returning
to the fig on Koloĉep Island?
Since when has fruit never been 
enough of a reason to leave?