Montpelier 5/22/2012
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  1. I found very useful historical context in this essay, but I feel I must add a little more background to the reproduction of the Norman Rockwell Freedom of Speech painting. My understanding is that it was based on a real life incident at an Arlington Town Meeting when a local farmer stood up to argue against a particular proposal. Almost no one else in the room agreed with him, and the proposal ultimately passed, but he was listened to with respect during his speech. I believe that the artist’s model for the speaker was the owner of the service station in West Arlington, and his relatives and descendants still live in town. The model for the older gentleman in the black suit looking up at him helped to build the house that I live in now, and was born in the house that my aunt now owns.
    Prints of this painting and of the other paintings in the Four Freedoms series hang in the room where the Arlington Selectboard meets. I think that we take what they represent seriously, both as powerful symbols and as living realities.

    Rep. Cynthia Browning
    Arlington Selectboard

    1. Dear Representative Browning,

      After liturally years of trying to participate (or at least attend) the Vermont Corrections “Oversight” Committee meetings I was finally allowed to attend. Why I wouldn’t be allowed to attend in the first place, is not only shameful, but yet a mistery. As I’ve concluded in my book, sadly, (and we are not unique to this) Vermont politics are slowly and yet surely superceding our own ethics.

      With all due respect; I hate to rain on your quintessential parade of “Open” meeting laws and Free Speech in Vermont, but our new battle cry “Post 9/11″ has unequivically destroyed this “Walton’s Mountain,” “Little House on the Pararie” concept of “Free Speech.” As much as I respect the work of Norman Rockwell and so many others, I find the reality of “Free Speech” or “Open Meetings in Vermont to be fleeting at best.

      During the first “Oversight” Committee meeting I attended this past September, I tried to support something one of the “Oversight” Committee members said which made a lot of sense. It was the only sound I made during the whole meeting. Co-Chair Alice E. Emmons rudely interuppted me and cut me off saying “No No.” It was obnoxious to say the least. I was embarrassed for her and speechless at her unprofessional lack of respect. The committee memeber I was supporting worked for the Vermont Department of Health and it was apparent in my mind she had a more accurate grasp of the topic at hand.

      This told me immediately that certain members of the committee (notably Co-Chair Alice E. Emmons) were there for “Political reasons” other than oversight. One of the other conclusions in my book is that; the more political police departments become, the less effective they will be. This is true with oversight committees also.

      Now I doubt I’d look very good in a Norman Rockwell painting however I’ve spent the last fourteen years of my life studying and writing about criminal justice systems all over the world. It is disheartening to see such emense disrespect for the facts and the deliberate covering up of unpopular truths in the state I grew up in.

      I guess there must be some speculation as to the definition of the word “Oversight.” This was but just one scenario where I was prevented from participating in an area I’ve specilized in for many years.

      “I think that we take what they represent seriously, both as powerful symbols and as living realities.”

      Powerful symbols, yes; “living realities?” Think again.

      Christian Noll
      BS/MS criminal justice
      author/publisher

  2. Cynthia…you are correct. The man standing is Carl Hess who owned the gas station in West Arlington about one quarter mile before the bridge. As kids, this is where we inflated our bike tires and got patched inner tubes to float the Battenkill and fed a dime or two into the soda machine, and later changed the oil in our cars as Carl allowed us to use his tools and the “pit” dug in the floor of the garage The jacket Carl is wearing is my father’s, which we’ve donated to the Rockwell Museum. Lot’s of Hess’s in Arlington. Mike, Carl’s nephew, still lives in the house next to where I grew up and Alan, Mike’s brother is a local realtor, among many others.

    Unlike today, I find that then there was not as much a gap between the powerful symbols of the day and the living realities. In small town America, phoniness gets wrung out pretty quick. But today, whether it’s Pres. elect Obama selecting the head of Fannie Mae to join the Vice Presidential search committee or Newt Gingrich accepting a $1.6 million contract from Freddie Mac or investment banks scamming their own customers with mortgage securities, more and more it all seems so entangled and tainted and nobody seems ashamed. Tom

  3. A few weeks ago I lamented the focus of a piece by Greg Guma on the supernatural in Vermont, which I described as pernicious twaddle. (I was even more dismayed at the lack of support for my view that surfaced in the replies.)

    In the subsequent weeks I have read pieces by Mr. Guma with great pleasure. He is an excellent writer.

  4. Greg your honest and earnest perspective is so refreshing. The mythology in VT is pretty thick and you cut right through it in a way that nobody can deny. Thank you.

    I think that part of the challenge in understanding Vermont’s real culture in contrast to the mythology is that we don’t really fit into any of the labels. It’s like an (im)perfect union of redneck libertarian individualism and hippy communal progressive naivete. But we’ve fooled ourselves in many ways, as you point out.

    During the past 40 years we’ve steadily become a tourist-colony for east-coast elites who want to “preserve” the landscape while pretending to support a “working” landscape even though they abhor anything resembling the latter (trucks on the dusty roads, oh no! Gravel pits, forestry operations and smelly farms, NIMBY!)

    Sadly our self-reliant culture has devolved into a mythical identity based on a misguided sense of “preservation” which was brought here by many well-meaning people like Helen and Scott Nearing, but which has become all about preserving scenic views from homes that only a trustafarian transplant or Wall St weekend warrior can afford. The Californication of Vermont.

    And the real Vermonters are living like hermits who wheel and deal however they need to, taking care of rich-folks estates and children, etc, in order to keep the state from seizing their home in a tax-sale, and town meeting has become a joke of token gestures since Montpelier calls all the shots.

    The new-age-feudalism of the next 100 years is going to be interesting in Vermont, for sure.

  5. Greg,

    If “only the faces change” we have to hope that you at least stay available for a while to help us sort it out with your insightful analysis and intelligent writing. In my view this is your best piece yet(the series) based on thoroughness and value to local residents. You give us the opportunity to rise above the reality show of newspaper politics and see the longer political trends that shape our society. We need to know what change will mean – an objective preview of what’s coming – so that we can have intelligent discussion rather than fearful reactions. I hope the series is widely available and widely read. Congratulations.

    Jim Brown
    Hinesburg

  6. Great article, Greg. There will always be a tension between the competing values of individualism and collectivism because, on the one hand, we all desire to be masters of our actions, and on the other, we can all accomplish more collectively than what we are able to individually. Each of these sentiments waxes and wanes over time; these days we’re in a time when most types of collectivism are in retreat, evidenced by the hostility to “big government” embraced by all areas of the political spectrum. Even the noble value of individualism has deteriorated into its decadent version of narcissism, with attendant attributes of a sense of superiority and hostility toward The Outsider – “real Vermonters” v. “east-coast elites”, for instance. Combine this with the romantic-nostalgic myth of “self-reliance” (even the Nearings evidently had regular significant cash infusions to support their “back to nature” lifestyle) and you see the darker side of mythmaking – where myths create divisions between segments of society and alienate people from their government. It’s entertaining to explore the “Vermont” Way (or the New Hampshire Way, or the Missouri Way), but we should also examine the purposes to which other myths are put. Healing our fracturing society may involve taking the courage to jettison some of our most cherished myths, but we’ll all be better off.

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