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In the early 1800s, Charity Bryant and Sylvia Drake spent 44 years as life partners living together in the small Vermont town of Weybridge. They are one of the earliest lesbian couples in America whose story is documented, thanks in part to a new graphic novel by Tillie Walden.
Walden is a rising star in cartooning. She served as Vermont’s fifth cartoonist laureate from 2023 to 2026, following cartoon luminaries such as Alison Bechdel and the late New Yorker cartoonist Ed Koren. In 2018 at the age of 22, Walden won the first of her two Eisner Awards, known as the Oscars of cartooning, becoming one of the youngest Eisner Award winners ever.
Walden’s latest book, “Charity & Sylvia,” has been named the 2026 selection of Vermont Reads, a program of Vermont Humanities that invites communities around the state to read the same book and hold discussions and events.
Walden moved to Vermont from Texas to attend the Center for Cartoon Studies in White River Junction and became a professor there in 2022. Walden, now 30, is the author of 16 books. She lives in Norwich with her wife, the cartoonist Emma Hunsinger, and their young son.
Walden faced many challenges in reconstructing the lives of Charity and Sylvia. For one, she did not know what they looked like. The closest image she had was a silhouette of the couple, framed by locks of their hair.
“When it came to deciding their faces, it was mentioned in a letter way back when that Charity looked a lot like her brother, so I went to Massachusetts and found the portrait of her brother, and I based her off of what her brother looked like,” Walden told me. She based her depiction of Sylvia on a photograph that she had of her niece.
Walden also found another source for inspiration: her Vermont neighbors. “I needed actual human beings to populate Weybridge, Vermont, in 1810, but there was nothing to go off of, so I really did just look at my neighbors and I drew their faces and their bodies and their personalities into the book,” she said. “Small town Vermont hasn’t changed that much, really.”
Walden wants “Charity & Sylvia” to offer a more realistic view of queer love. “Marginalized groups often have to represent themselves in media as very digestible and very acceptable, because that’s how you find mainstream appeal.”
“What I’m actually interested in is how gayness, queerness — whatever you call it — interacts with more complex parts of life, like faith, like conservatism, like being an American, like being a Vermonter. And I was very moved that Charity and Sylvia were not perfect role models,” she said.
“Queer people aren’t perfect. No marginalized person is perfect. No person anywhere is perfect.”
